March 2001

Electric Strings Monthly

Number 9
Contents:

Web Site Changes

New Pictures

New Links

The E.V. Book

New Music

For Sale/Wanted

Ask Andy:
All About Effect Pedals
 
 

Editorial:
Andy
Design&Production:
Andy
Administration:
Andy
Finance:
Little
Advertising:
This is it
Marketing:
Please tell someone
Correspondence:
20 Brewers Wharf, Newark, Nottinghamshire, NG24 1ET, U.K.

Telephone:
(44)(0)1636 677416

If you would like to contribute to this newsletter with details about new products, new music or just news, then please send me an email.

Although this newsletter is light-hearted in it's style please note that the content is copyrighted and remains the property of Andy Holliman, Achieve Instruments. No part of the contents may be reproduced, in print or electronically (except for your own personal use) or stored in an information retrieval system or workshop or bathroom without the prior permission of the author. 
 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In Previous Ask Andys:

#1-Do I need a Preamp?
#2-What wood is best?
#3-LR Baggs Para DI Box
#4-Strings fitting & Octave
#5-Bow Bugs
#6-Anti Virus Software
#7-All about Midi and Zeta
#8-Amplifiers
#9-Effect Pedals

 

 

 

 

Welcome to the third  monthly newsletter in magazine format. I hope you like it. If you do, please tell others, if you don't, please tell me.
It is my endeavour to be completely fair in the things that I write or tell you from these pages. If you feel that I have voiced anything that is inaccurate or unfair, please let me know. This month's Ask Andy is all about effect pedals and how to link them up.

If you would like me to publish details about any of your equipment or products then please send me some information.

 

Web Site Changes
I have added a 'Search my Site' link. When you click on this you are taken to a site that indexes my site every day and enables you to search for anything within my pages. It works just like any other search facility and obeys the same rules. I keep an eye on this and if I see you are looking for something that I do not have (but should have) hopefully I will be able to do the necessary and 'fill the gap'.

New Pictures
This month I have added new pictures from: Scrimshaw, Clevinger, DColours, Deathrage, Eminence, Etcetera, Prudent, Maple, Importuno, Jensen and Wagner .

New Links
I have added links to the new makers that are mentioned in the new pictures list above.

New Pickup
Daniel LaFontaine contacted me to say that he is now marketing his new patented pickup. I have added references to it in the Pickup list. This units fits between the bridge lower arch and the top of the instrument. From here a wire goes to a jack connector similar to a Carpenter Jack. You then connect to a belt box which contains a preamplifier and signal processing circuitry.

I have had a few enquiries for details of the Stephan Kurman Sound Post pickup system. Details can be obtained from: Audiotechnik Arber & Co., Edisonstrasse 7, CH-4051 Basel, Switzerland. Tel: +41 81 271 5115.

The Electric Violin Book 
I may have found a distributor for the Electric Violin book in the States. As soon as the deal is done I will let you know. In the mean time if you wish to see a review of the book click here and if you would like to order a copy, click here.
 

New Music
I will use this section to inform you of new music that I have been introduced to that features electric violin. So if you have something to contribute to this column, please let me know the details.

I heard from,
Mary Lou Newmark
( http://www.greenangelmusic.com
/ ) and
Stuart Wyatt (http://www.solostring.com/)
Alex Papadiamantis (http//www.geocities.com/almant2)


Digital Violin Database
Ben Heaney has nearly completed his volume on the electric violin. It includes playing techniques, very interesting historical information, details about vintage and modern makers and patents. A good read for the long winter evenings. A link to his site can be found on my Contents list.

Line 6 DL4
Having heard Stuart Wyatt's CD and his use of a DL4 box I ordered one. Did it make me play any better? Well in some ways it has. The DL4 has two sections. One is an incredible range of delay and echo effects that can reproduce 'old sounds' as well as creating new ones. The other part allows you to sample what you are playing and then to play on top of that sample. Several layers are possible. I like it because you can put down a fairly random set of layers and then improvise on top. So my improvisation skills may be improving. Also, when you lay down a couple of layers you find that the key you have to follow changes as notes merge to form 'chords'. It is a great box but I do have several extended features which I wish were there. You cannot use any of the delay sounds as the base for the sampler and the sample time would be even better if it was longer than 15 seconds. Still great fun and assists creativity.

Roger Hansell
Whether you make electric or classical instruments the fittings that you use are very important and, as a player you need fittings that are both functional and good to look at. Roger Hansell, here in the U.K. has opened up his new web site where you can see some of the very best pegs, tailpieces end pins etc. that are available. http://www.hansellviolins.com/

Fiddle in a Tube
The world of electric violins is sometimes a bit whacky! And so I would like to bring to your attention the WhipLStix  (aka Wiplschstik)-it is not an electric violin (yet), It's a full size violin with bow and chinrest and rosin and tuner in a 2 inch diameter tube!!!! The chinrest is infatable and the 'A' tuner is the end pin. Made by Bill Whipple in the hills of south Virginia. It is a wonderful travelling violin for playing anywhere. With it's 1/8th size bow you can play in the car, in the tent and pack it in your rucksack or suitcase. It's brilliant. Also planned is a guitar in a tube!
Check it out at
http://www.wiplstix.com/

Ask Andy
This month I have been asked how people use effect pedals and the like. Well the straight answer is that everyone sets up their equipment differently and with probably very good reasons, so it is difficult to generalise. However as I have just spent the weekend with Ric Sanders setting up his instruments and equipment ready for Fairport Convention's UK tour, I thought I would tell you how he arranges things.

First of all we both dislike guitar sound processors for several reasons. If one part goes wrong everything in the box usually dies. They usually need some sort of programming and setup which can be good, but on stage is difficult. For example, if you have a delay set up to match the tempo of a tune and it is programmed in, then there is little you can do about it if the rest of the band play the tune faster or slower. My main reason for not recommending them is that they usually have more features than you would sensibly use. Individual pedals, bought individually meet specific needs and you can build a set that is best suited to you and your music.

So what has Ric got on his pedal boards. He has two boards. One he uses all the time and contains his basic requirements. The other board takes any extra pedals that he needs.

The  set he has on tour at the moment is as follows:

Violin===
===Volume Control===MXR pre-amp===MXR 10 band graphic EQ===...

===Boss Vibrato VB2===Boss Octaver===Boss Digital Delay DD5=== ...

===Boss Digital Reverb RV2===Trace Elliot amp

For this tour the violin he is using is one of my classical instruments that is fitted with an L.R.Baggs pickup. He has decided not to use a radio system on this tour as his need to jump around the stage whilst playing is reducing every year!! The violin  goes first to the volume pedal. This enables him to shut everything down in case he needs to re-string or re-tune on stage. The pedal he uses has an additional output that he connects to a tuner. This he powers by battery and not by an external power supply because mains frequencies sometimes cause it to falsely display G#. Using an internal battery avoids this occasional problem.

Then he connects to a pre-amp. He needs this to give his signal more power because everyone else in the band plays so loudly! (It is actually another EQ pedal with all the controls flat and the boost control pushed to max). This box isn't actually technically required but as it has been part of his basic setup for years we tend to leave it there.

After this he goes into a 10 band MXR graphic equaliser. This is an unusual box because of the ten frequency ranges that it covers (I don't think that MXR make them anymore). He trims out the 312, 625, 2K and 4k frequencies. (Piezo pickups often require 2 and 4K trimmed out).

This then goes into a Vibrato unit. He only occasionally uses this and usually when he plays harmonics as it adds more depth and a synth like sound.

The second board has the specific pedals that he uses for various numbers and can be as few as 1 or as many as 6. For this tour he has an Octaver which creates a very good 1 or 2 octave drop from what he is playing.

Then a Digital Delay pedal. This one has a side cable and tap footswitch. You tap in the tempo of the tune and the delay will repeat at that exact tempo. Brilliant - I always wondered what he was tap dancing on behind the stage monitors. Then finally he goes into a Digital Reverb unit which when used subtly can add a lot of presence and grandeur to a tune.

Each of these boxes is powered by it's own transformer, so each box connects to a rail of power sockets.

The effects line then goes into a Trace Elliot amplifier, which he uses as his on-stage monitor. The line out then goes off to the PA equipment.

Nothing very special but hopefully it has introduced you to a few ideas worth trying if you are currently having any problems or are setting up equipment for the first time. The secret with all effects is - use them selectively and sparingly. I have heard many bands who leave a set of effects on for every tune that they play which is not very clever!

 

I would appreciate ideas for future 'Ask Andy' questions - product reviews, technical discussions, making items??? 
Let me know what you would like to know.
 
 
 
 

I hope this has helped you.

Any suggestions for future discussions, Click to Email me

I am not sure if I have created a monster with this page! Will I be able to keep it up and create a full newsletter each and every month? Will you help me by sending in details of CD's, instruments, suggestions? We will have to see and you will have to come back again to check it out.

Bye for now, 
Andy Holliman 


Achieve Instruments:
Chief Designer, Paint Sprayer, Varnish Consultant, Marketing Manager, Receptionist, Secretary, Web Designer, Tea Boy  and Newsletter Editor.
 
 
lafontainpu.jpg (22259 bytes)
The new pickup from Daniel LaFontaine

 

eminencealta.jpg (36644 bytes)
See the Eminence/Alto Violin and other new instruments in the Picture Gallery 
 


 Links from around the World
 

 


The Electric Violin Book
The Only book on Electric Bowed Stringed Instruments in the World

 
  hansell.jpg (7863 bytes)
Roger Hansell fittings

 whipplekit.jpg (21419 bytes)
The Wiplstix violin in a tube